Religious artwork from Academia Inmaculada Concepción, Mayagüez, PR 00680.
Image of a religious painting depicting a figure in blue and white robes, surrounded by light and clouds, with a child in a blue robe below.
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Step-by-step solution for: tattoo time sinners in the hands of an angry god | Chegg.com
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Show Answer Key & Explanations
Step-by-step solution for: tattoo time sinners in the hands of an angry god | Chegg.com
Certainly. Here is the completed chart for the imagery analysis from Jonathan Edwards’ sermon “Sinners in the Hands of an Angry God,” along with explanations for each entry.
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Imagery in “The Sinners in the Hands of an Angry God”
| Imagery | Senses | Meaning and/or Purpose |
|-------------|------------|-----------------------------|
| *“…thus it is, that natural men are held in the hand of God over the pit of hell; they have deserved the fiery pit, and are already sentenced to it; and God is dreadfully provoked, his anger is as great towards them as to those that are actually suffering the executions of the fierceness of his wrath in hell, and they have done nothing in the least to appease or abate that anger, neither is God in the least bound by any promise to hold ‘em up one moment…”* <br> Lines 1–9 | Visual & Kinesthetic (Touch/Feeling) | This imagery appeals primarily to sight (seeing sinners suspended over a pit) and touch/kinesthetic sense (feeling the precariousness of being held, the terror of falling). The purpose is to create a visceral sense of imminent doom and utter helplessness. Edwards emphasizes that sinners are not safe — they are only alive because God chooses to hold them back from hell at this very moment. There’s no guarantee, no promise, no merit on their part — only God’s sovereign will. This intensifies fear and urgency, pushing listeners toward repentance. |
| *“…the devil is waiting for them, hell is gaping for them, the flames gather and flash about them, and would fain lay hold on them, and swallow them up; the fire pent up in their own hearts is struggling to break out; and they have no interest in any mediator, there are no means within reach that can be any security to them.”* <br> Lines 9–13 | Visual, Auditory, Tactile (Touch/Heat), and Kinesthetic | This passage evokes sight (flames flashing, hell gaping), sound (the implied roar of flames, the devil’s anticipation), and touch/heat (fire gathering, burning sensation). The phrase “fire pent up in their own hearts” adds internal, psychological torment. The purpose is to show that sinners are surrounded by active, eager forces of damnation — Satan, hell, and even their own sinful nature — with no refuge or savior available. It strips away any illusion of safety or self-reliance, reinforcing total dependence on God’s mercy. |
| *“That world of misery, that lake of burning brimstone is extended abroad under you. There is the dreadful pit of the glowing flames of the wrath of God; there is hell’s wide gaping mouth open; and you have nothing to stand upon, nor any thing to take hold of; there is nothing between you and hell but the air…”* <br> Lines 19–23 | Visual, Tactile (Touch/Heat), and Kinesthetic | Again, strong visual imagery dominates (lake of brimstone, glowing flames, gaping mouth). Tactile elements include the heat of burning brimstone and the feeling of standing on air. The kinesthetic sense is invoked through the idea of having “nothing to stand upon” — creating a physical sensation of vertigo and instability. The purpose is to make hell feel immediately present and physically threatening, not some distant concept. By reducing the barrier between sinner and hell to “the air,” Edwards underscores how fragile and temporary human life is without divine grace — a powerful call to immediate conversion. |
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Jonathan Edwards uses vivid, terrifying imagery throughout this sermon to achieve one primary goal: to shock his audience into recognizing their desperate spiritual condition and urgent need for salvation through Christ.
He deliberately targets multiple senses to make abstract theological concepts — like God’s wrath, hell, and human depravity — feel real, immediate, and physically terrifying. This technique, known as sensory overload, was common in Puritan sermons and designed to bypass intellectual resistance and strike directly at the emotions and conscience.
By describing sinners as dangling over hell, surrounded by flames, and utterly unsupported, Edwards removes any sense of complacency. He wants his listeners to feel the horror of their situation so intensely that they are driven to seek God’s mercy — not out of duty, but out of sheer terror and desperation.
This is classic fire-and-brimstone preaching, meant to provoke repentance through fear. The repeated emphasis on “nothing to stand upon” and “no promise to hold ‘em up” strips away false security and points entirely to God’s sovereign grace as the only hope.
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✔ Hand In Ready — 22pts. Completed.
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Imagery in “The Sinners in the Hands of an Angry God”
| Imagery | Senses | Meaning and/or Purpose |
|-------------|------------|-----------------------------|
| *“…thus it is, that natural men are held in the hand of God over the pit of hell; they have deserved the fiery pit, and are already sentenced to it; and God is dreadfully provoked, his anger is as great towards them as to those that are actually suffering the executions of the fierceness of his wrath in hell, and they have done nothing in the least to appease or abate that anger, neither is God in the least bound by any promise to hold ‘em up one moment…”* <br> Lines 1–9 | Visual & Kinesthetic (Touch/Feeling) | This imagery appeals primarily to sight (seeing sinners suspended over a pit) and touch/kinesthetic sense (feeling the precariousness of being held, the terror of falling). The purpose is to create a visceral sense of imminent doom and utter helplessness. Edwards emphasizes that sinners are not safe — they are only alive because God chooses to hold them back from hell at this very moment. There’s no guarantee, no promise, no merit on their part — only God’s sovereign will. This intensifies fear and urgency, pushing listeners toward repentance. |
| *“…the devil is waiting for them, hell is gaping for them, the flames gather and flash about them, and would fain lay hold on them, and swallow them up; the fire pent up in their own hearts is struggling to break out; and they have no interest in any mediator, there are no means within reach that can be any security to them.”* <br> Lines 9–13 | Visual, Auditory, Tactile (Touch/Heat), and Kinesthetic | This passage evokes sight (flames flashing, hell gaping), sound (the implied roar of flames, the devil’s anticipation), and touch/heat (fire gathering, burning sensation). The phrase “fire pent up in their own hearts” adds internal, psychological torment. The purpose is to show that sinners are surrounded by active, eager forces of damnation — Satan, hell, and even their own sinful nature — with no refuge or savior available. It strips away any illusion of safety or self-reliance, reinforcing total dependence on God’s mercy. |
| *“That world of misery, that lake of burning brimstone is extended abroad under you. There is the dreadful pit of the glowing flames of the wrath of God; there is hell’s wide gaping mouth open; and you have nothing to stand upon, nor any thing to take hold of; there is nothing between you and hell but the air…”* <br> Lines 19–23 | Visual, Tactile (Touch/Heat), and Kinesthetic | Again, strong visual imagery dominates (lake of brimstone, glowing flames, gaping mouth). Tactile elements include the heat of burning brimstone and the feeling of standing on air. The kinesthetic sense is invoked through the idea of having “nothing to stand upon” — creating a physical sensation of vertigo and instability. The purpose is to make hell feel immediately present and physically threatening, not some distant concept. By reducing the barrier between sinner and hell to “the air,” Edwards underscores how fragile and temporary human life is without divine grace — a powerful call to immediate conversion. |
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Overall Explanation:
Jonathan Edwards uses vivid, terrifying imagery throughout this sermon to achieve one primary goal: to shock his audience into recognizing their desperate spiritual condition and urgent need for salvation through Christ.
He deliberately targets multiple senses to make abstract theological concepts — like God’s wrath, hell, and human depravity — feel real, immediate, and physically terrifying. This technique, known as sensory overload, was common in Puritan sermons and designed to bypass intellectual resistance and strike directly at the emotions and conscience.
By describing sinners as dangling over hell, surrounded by flames, and utterly unsupported, Edwards removes any sense of complacency. He wants his listeners to feel the horror of their situation so intensely that they are driven to seek God’s mercy — not out of duty, but out of sheer terror and desperation.
This is classic fire-and-brimstone preaching, meant to provoke repentance through fear. The repeated emphasis on “nothing to stand upon” and “no promise to hold ‘em up” strips away false security and points entirely to God’s sovereign grace as the only hope.
---
✔ Hand In Ready — 22pts. Completed.
Parent Tip: Review the logic above to help your child master the concept of sinners in the hands of an angry god worksheet.
